Archive for January, 2019

I’m finally getting around to blogging my 2019 art resolutions.  Hey, it’s still January, right?  That’s not so bad.

First, I’m going to make 2019 my the year of Instagram. I’ve learned just enough from listening to the blog Artists Helping Artists by Leslie Saeta to get me psyched.

screenshot instagram martha ressler

I plan to post every day: morning and/or evening. Search out more hashtags I want to follow, and through them, find other artists I like to follow.  So far #fabriccollage, #slowstitching, #artquilt, #foundobjectart and several similar are ones I’m paying attention to.

I try to stay on Instagram after I’ve posted to “like,” comment etc. for at least 15 minutes.  I understand that there is an algorithm that helps you if you do that. I don’t have a definite goal in mind for the number of followers I would like to have, but I do want to grow my presence there.

Do you have suggestions for me?  And — do please follow instagram.com/martharessler.

I want to continue making art quilts using found objects, but only when/ if it makes sense to do so.  I think I got off track a couple of years ago, incorporating them when it didn’t quite make artistic sense.

Birds Bees and Beyond.jpg

I’m pleased with the “Incorporating Found Objects in Art Quilts” class I gave, as well as my current, ongoing Beginning Art Quilters class here in my studio. So I want to plan at least 2 more of those during the year.

I’m intrigued by a stitching art called boro.  It’s a Japanese form of embroidery related to Sashiko. If I understand correctly, Sashiko uses orderly white thread stitches on indigo, and boro comes from mending process. I am more interested in adapting these, as part of the slow stitching movement, making small fabric compositions.  They may or may not turn out to be completed art quilts. But first I need to learn what they are and are not.

I want to try to create some sculptural forms using art quilts.  I have some ideas  .  .  . stay tuned on that score.

From the Farmhouse Junk Drawer.jpg

Travel this year will be focused on Cuba and the Caribbean, so I aim to create a body of work coming out of those experiences. I aim to dig below the surface in our Caribbean travel. Beyond the sunshine and sandy beaches is a history forged in blood from sugar and slavery.

I’ll continue my active work with local art organizations, including Art Plus Gallery, the cooperative gallery in West Reading of which I am part.

And – the garden will call to me come spring. There will be weeds to pull, natives to plant, and birds to watch.

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I started using found objects in my art quilts when I was living in Pittsburgh. I lived, worked and had my studio in an old industrial area called Lawrenceville, which inspired much of my artwork. The streets were a source of interesting detritus, which I had the idea of sewing into the quilts.  Here is an example: Walking Sketches, 20 x 20″, 2013.

walking sketches 20 x 20 lo res.jpg

When I moved to the country (Berks County in eastern PA) in 2014, I hesitantly continued to use them in rural landscapes. In the Morning I Am So Tall, 2014, is an example. I was blending the found objects with the values and colors in the piece, but I found it an uneasy alliance. The detritus didn’t come from those locations, and I was never sure the idea was working.

Still, I was and am attracted to the concept of the pieces representing an “archeological thumbprint” — markings made by humans as we traversed the world.

In the Morning I am So Tall small

I stopped using them in the rural landscapes last year. This is Red Roof, Purple Sky, 16 x 20″, 2018.

purple sky red roof lo res.jpg

I still was able to draw upon the “archeological thumbprint idea” thru incorporation of old lace, and sometimes papers — things that did come from this geographical area.

One piece that worked well was “Wild Turkey Parade,” where the found objects became turkeys parading through our meadow. Here is a detail of Wild Turkey Parade 1, 2015.

Wild Turkey Parade 1 detail lo res

The found objects still call to me.  My collection has built back up, after I got rid of most things last year.

They found their place in the Eastern Europe in Stitches series I did last year, as we travelled through that area. Visits to flea markets were a great source. Here is Secrets of Prague, 5 x 7″ 2018.

Secrets of Prague lo res

I became enamored of used postage stamps in particular. I often looked up the story behind a person or historical reference. Thus the tiny quilts encased worlds within worlds — secret histories to explore.

Here is Nicolaus, Karl and George, three unlikely postage stamps companions. 5 x 7″, 2018.

 

Nicolaus Karl and George lo res

Just recently I’ve returned to an earlier idea of creating little birds and other creatures from the found objects in the quilts. Here is Krazy Kat, 5 x 7″ inspired by a Walmart hanger that I didn’t really mean to bring home!

Krazy Kat

For 2019 I want to continue using them, both in created creatures, and in little quilts that represent a place or idea.

My stock is building back up! Here’s what I brought home just yesterday. So, stay tuned!

Found objects 1 3 19