Archive for the ‘Business of Art’ Category

Mother Serves the Turkey II 31 x 26.5

M Ressler Mother Serves the Turkey

Every now and then I get an update from William Reker, the director of traveling art quilts for SAQA (Studio Art Quilt Associates.)

This one is notable because it is the final venue for Turmoil and Tranquility:

 ” The International Museum of Art and Science in McAllen, Texas will be hosting portions of both exhibitions from August 10, 2019 through December 15, 2019.

“It is our goal to exhibit our members’ work in as many venues as possible.  Both Turmoil and Tranquility have had successful exhibitions on three continents.  Unfortunately, the International Museum of Art and Science cannot host the entirety of both exhibitions and we have agreed for a portion of each to be on display.   Your work has been selected for this venue. Below please find a list of works to be displayed.

Turmoil:

Pallbearer by Margaret Abramshe

The Flames They Left Behind by Holly S Altman

Disheveled Love by Karen M Balos

Fracture by Betty Busby

A Cancerous Turmoil by Carol Capozzoli

The Weather in Her Head by Linda Colsh

Crossings I by Sandy Gregg

Tied in Knots by Betty Hahn

1953 Popcorn by Jim Hay

Childhood Taken: The Doffer Boys by Patricia Kennedy-Zafred

Marklin Nebula by Jeanne Marklin

Mother Serves the Turkey II by Martha E Ressler

Tranquility:

Flowers of the Vine by Frances Holliday Alford

Morning Mist by Linda Anderson

Ponderings IV by Erika Carter

The Sentinel by Linda Colsh

Donald in Light by Jennifer Day

Come Sit with Me, Patrick Caulfield by Heather Dubreuil

Succulents by Aileyn Renli Ecob

Winter Silence by Suzan Engler

Entryway by Sandy Gregg

A Separate Reality by Patricia Kennedy-Zafred

Whooper Reflection by Judith Roderick

Adoration by Gwyned Trefethen

Circle Back by Tina Williams Brewer

“During its three year run, Turmoil will have been on display in 10 venues, on three continents including 2 museums in the United States.  We are constantly striving to locate new venues and promote your art around the world.  Below is a complete listing of the exhibition’s travel.

International Quilt Festival – Houston, Texas: November 2-6, 2016

International Quilt Festival – Chicago, Illinois: April 6-8, 2017

Festival of Quilts – Birmingham, United Kingdom: August 10-13, 2017

Australasian Quilt Convention – Royal Exhibition Building, Carlton Gardens, Melbourne, Australia: April 5-8, 2018

Stitches & Craft Show – Brisbane Convention & Exhibition Centre, South Bank, Australia: June 8-10, 2018

Craft & Quilt Fair – Canberra, Australia: August 9-12, 2018

Stitches & Craft Show- Newcastle, Australia: August 16-19, 2018

Craft & Quilt Fair – Adelaide Showground, Wayville, Australia: September 19-22, 2018

Grants Pass Museum of Art- Grants Pass, Oregon, United States: June 1 – July 27, 2019

International Museum of Art and Science, McAllen, Texas, United States: August 10, 2019 – December 15, 2019 (selected works)

“The International Museum of Art and Science will be the final venue for the exhibition.  I will contact you in January 2020 to return your work to you.

“Your participation in SAQA’s Global Exhibition has allowed us to expand the number of exhibitions we offer to a growing number of venues.  Between now and April 2020, SAQA will debut 10 new exhibitions.  Five of these exhibitions will premiere in museums rather than at quilt shows.  Please visit www.saqa.com/calls to view the current opportunities to exhibit your art provided by both the Global Exhibition and Regional Exhibition programs.”

 

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As Going Rural is about to come down at Art Plus Gallery in West Reading, I’m preparing two new shows.

“Eastern Europe in Stitches” pieces that haven’t shown yet will be on display in the main outside case at Reading Hospital, 6th and Spruce Street, West Reading, during the month of July.

Martin Luther

Martha Ressler, Martin Luther, 7 x 9″ framed. Art Quilt with found objects and hand quilting.

And newly framed work will go on display at Weichert Realtors, 65 Commerce Dr, Wyomissing, PA for 3 months, starting July 9.

I’ll be teaching a beginning art quilt class in my studio in July, but otherwise it’s a month off from travel or art fairs.

I always look forward to July at home. It equates to peace and happiness for me!

Linus and Lucy (Blue)-small2 lo res

Day 8 of  #30paintingsin30days.  Or Art Quilts, in my case.

This is a small version of Linus and Lucy Blue.  These 6 x 8″ framed art quilts are popular items in the art fairs I do, as well as gift shops around town.  I’m continuing with the series — listening to Linus and Lucy by the Vince Guaraldi Trio.

Martha Ressler

Small Linus and Lucy Blue, #2

Art Quilt

8 x 6″ Framed

Winter Farm in the Valley

This farm, straddling both sides of the road, is near us. I love looking at the layers of hillsides above it, and the wintertime shapes and colors. This represents day 1 of Leslie Saeta’s 30 for 30 challenge — one painting a day in the month of February.  Or in my case, one art quilt a day!

Martha Ressler

Winter Farm in the Valley

Art Quilt

16 x 20″

I signed up for Leslie Saeta’s 30 for 30 challenge which she is holding in February this year.

I’m tweaking the challenge a little.

Since the challenge is meant to be 30 painting in 30 days, But I’m making Art Quilts. So that’s a big fat tweak right there.

And I’m going away for a chunk of February, so I started making my quilts for the challenge this month, in January.

My theme is to do work I need to get done! Not too sexy I guess. I have a one person show in June, for which I’ll need about 14 pieces. I want them all to be new — made in 2018.

And I’m entering work in two jazz themed shows in April. So I want to get that work done too.

Our first art fair is in May this year, so I’ll want to make a number of small pieces for that. So here is some work in progress. Stay tuned!  I’ll be posting every day in February.Work in progress Jan 18

My piece entitled “Body Count” was accepted into the SAQA (Studio Art Quilts Associates) exhibition Guns: A Loaded Conversation.

I had just started watching “Game of Thrones,” and was quite shocked by the callous beheading of Ned near the beginning of the famed series.

As the episodes unfolded, I became more inured to the violence, while at the same time enthralled by the excellent writing and acting.

About that time, I noticed the many piles of discarded action figures at the flea market I frequent. The violent life they’d led as toys ended them in a graveyard of sorts.

The two thoughts began to come together, and ended up as “Body Count.” It is about how our hearts become hardened to violence through constant exposure to it.

I altered the out-of-action figures (sawed, cut, painted  .  .  .) and sewed them onto a substrate of rusted vintage feed bags. I added other stitching and found objects.

 

 

Or a week, more accurately.

Here’s a round up of some of what I’ve done this week, after our final art fair of the year last weekend.

I responded to Studio Art Quilt Associates call for Juried Artist members to submit a piece to Art Quilt Quarterly on the subject matter of grief.  I submitted “Dreamers Quilt.” A woman and girl walk through a dreamy landscape.  The girl goes on alone. “No Deportations” is stamped on the surface.

Dreamers Quilt

I made nine new Hot Spots for the Store at GoggleWorks Art Center.  They let me know that they were almost out.  I really appreciate their help with keeping up with my inventory.  The black ones seem to be going well, so I made all nine in black. Four feature the Michael Miller fabric “the dysfunctional family,” which is always popular.

9 Hot Spots

I was pleasantly surprised to open the Weekend section of the Reading Eagle today and see Steel Mills at Night from the Layers in Common show  at Awesome Dawgs on the Exhibits page. The show consists of art quilts by me and photographs by Jay Ressler.

Reading Eagle Weekend

Hm, what else? I took a number of items to Arts Barn in Schuylkill Haven, as they are beefing up their inventory for holiday shopping and special events. Here are a few of them.

What’s Your Sign? 18 x 27 framed. I limited myself to the signs on our dead end street that ends at the foot of the mountain, and made a fantasy landscape from them. Interestingly enough, Jay Ressler has presented a wintertime photo of that same school bus, currently decomposing in someone’s back yard. He calls it No School Today. (haha)

Whats Your Sign 16.5 x 25.25 smaller

Dogwood and Old Lace, 7 x 9 framed. A delicate piece with hand embroidery on a sun print of found objects and a dogwood blossom.

Dogwood and old lace

A Glance at the Past II, 18 x 17 framed. A beautiful building across the street from my studio in Pittsburgh caught my attention. I eliminated the surrounding buildings in the row, so we can see the hills beyond. There are echoes of the past with the blast furnace in the distance, some row houses, and a sweet face from another century peaks through the window. (Note: I’ve toned down those lavender hills since this picture was taken.  Much better!)

A Glance at the Past II small

I took my entry to the Berks Art Alliance member show to the Highlands. It is Summer’s End, 27 x 21 framed. This art quilt was inspired by a Jay Ressler photographic composition, The Sunflower King. A goldfinch has lost his bright summer hue. He sits atop a dried up sunflower, which bends to the inevitable approach of autumn.

summers end small

And last but not least I finished up another class at the Salvation Army store in Hamburg. “Collage Quilting.” It was an experiment, and not completely successful. There was too great a learning curve for people who hadn’t made art quilts before.  No one quite completed their piece. Next time maybe a simpler, art quilts for beginners.  I still like the wrinkle of being able to use their cast off donations.