Archive for the ‘publicity’ Category

Mother Serves the Turkey II 31 x 26.5

M Ressler Mother Serves the Turkey

Every now and then I get an update from William Reker, the director of traveling art quilts for SAQA (Studio Art Quilt Associates.)

This one is notable because it is the final venue for Turmoil and Tranquility:

 ” The International Museum of Art and Science in McAllen, Texas will be hosting portions of both exhibitions from August 10, 2019 through December 15, 2019.

“It is our goal to exhibit our members’ work in as many venues as possible.  Both Turmoil and Tranquility have had successful exhibitions on three continents.  Unfortunately, the International Museum of Art and Science cannot host the entirety of both exhibitions and we have agreed for a portion of each to be on display.   Your work has been selected for this venue. Below please find a list of works to be displayed.

Turmoil:

Pallbearer by Margaret Abramshe

The Flames They Left Behind by Holly S Altman

Disheveled Love by Karen M Balos

Fracture by Betty Busby

A Cancerous Turmoil by Carol Capozzoli

The Weather in Her Head by Linda Colsh

Crossings I by Sandy Gregg

Tied in Knots by Betty Hahn

1953 Popcorn by Jim Hay

Childhood Taken: The Doffer Boys by Patricia Kennedy-Zafred

Marklin Nebula by Jeanne Marklin

Mother Serves the Turkey II by Martha E Ressler

Tranquility:

Flowers of the Vine by Frances Holliday Alford

Morning Mist by Linda Anderson

Ponderings IV by Erika Carter

The Sentinel by Linda Colsh

Donald in Light by Jennifer Day

Come Sit with Me, Patrick Caulfield by Heather Dubreuil

Succulents by Aileyn Renli Ecob

Winter Silence by Suzan Engler

Entryway by Sandy Gregg

A Separate Reality by Patricia Kennedy-Zafred

Whooper Reflection by Judith Roderick

Adoration by Gwyned Trefethen

Circle Back by Tina Williams Brewer

“During its three year run, Turmoil will have been on display in 10 venues, on three continents including 2 museums in the United States.  We are constantly striving to locate new venues and promote your art around the world.  Below is a complete listing of the exhibition’s travel.

International Quilt Festival – Houston, Texas: November 2-6, 2016

International Quilt Festival – Chicago, Illinois: April 6-8, 2017

Festival of Quilts – Birmingham, United Kingdom: August 10-13, 2017

Australasian Quilt Convention – Royal Exhibition Building, Carlton Gardens, Melbourne, Australia: April 5-8, 2018

Stitches & Craft Show – Brisbane Convention & Exhibition Centre, South Bank, Australia: June 8-10, 2018

Craft & Quilt Fair – Canberra, Australia: August 9-12, 2018

Stitches & Craft Show- Newcastle, Australia: August 16-19, 2018

Craft & Quilt Fair – Adelaide Showground, Wayville, Australia: September 19-22, 2018

Grants Pass Museum of Art- Grants Pass, Oregon, United States: June 1 – July 27, 2019

International Museum of Art and Science, McAllen, Texas, United States: August 10, 2019 – December 15, 2019 (selected works)

“The International Museum of Art and Science will be the final venue for the exhibition.  I will contact you in January 2020 to return your work to you.

“Your participation in SAQA’s Global Exhibition has allowed us to expand the number of exhibitions we offer to a growing number of venues.  Between now and April 2020, SAQA will debut 10 new exhibitions.  Five of these exhibitions will premiere in museums rather than at quilt shows.  Please visit www.saqa.com/calls to view the current opportunities to exhibit your art provided by both the Global Exhibition and Regional Exhibition programs.”

 

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Or a week, more accurately.

Here’s a round up of some of what I’ve done this week, after our final art fair of the year last weekend.

I responded to Studio Art Quilt Associates call for Juried Artist members to submit a piece to Art Quilt Quarterly on the subject matter of grief.  I submitted “Dreamers Quilt.” A woman and girl walk through a dreamy landscape.  The girl goes on alone. “No Deportations” is stamped on the surface.

Dreamers Quilt

I made nine new Hot Spots for the Store at GoggleWorks Art Center.  They let me know that they were almost out.  I really appreciate their help with keeping up with my inventory.  The black ones seem to be going well, so I made all nine in black. Four feature the Michael Miller fabric “the dysfunctional family,” which is always popular.

9 Hot Spots

I was pleasantly surprised to open the Weekend section of the Reading Eagle today and see Steel Mills at Night from the Layers in Common show  at Awesome Dawgs on the Exhibits page. The show consists of art quilts by me and photographs by Jay Ressler.

Reading Eagle Weekend

Hm, what else? I took a number of items to Arts Barn in Schuylkill Haven, as they are beefing up their inventory for holiday shopping and special events. Here are a few of them.

What’s Your Sign? 18 x 27 framed. I limited myself to the signs on our dead end street that ends at the foot of the mountain, and made a fantasy landscape from them. Interestingly enough, Jay Ressler has presented a wintertime photo of that same school bus, currently decomposing in someone’s back yard. He calls it No School Today. (haha)

Whats Your Sign 16.5 x 25.25 smaller

Dogwood and Old Lace, 7 x 9 framed. A delicate piece with hand embroidery on a sun print of found objects and a dogwood blossom.

Dogwood and old lace

A Glance at the Past II, 18 x 17 framed. A beautiful building across the street from my studio in Pittsburgh caught my attention. I eliminated the surrounding buildings in the row, so we can see the hills beyond. There are echoes of the past with the blast furnace in the distance, some row houses, and a sweet face from another century peaks through the window. (Note: I’ve toned down those lavender hills since this picture was taken.  Much better!)

A Glance at the Past II small

I took my entry to the Berks Art Alliance member show to the Highlands. It is Summer’s End, 27 x 21 framed. This art quilt was inspired by a Jay Ressler photographic composition, The Sunflower King. A goldfinch has lost his bright summer hue. He sits atop a dried up sunflower, which bends to the inevitable approach of autumn.

summers end small

And last but not least I finished up another class at the Salvation Army store in Hamburg. “Collage Quilting.” It was an experiment, and not completely successful. There was too great a learning curve for people who hadn’t made art quilts before.  No one quite completed their piece. Next time maybe a simpler, art quilts for beginners.  I still like the wrinkle of being able to use their cast off donations.

At some point as my husband and I planned our year, we decided it would be a good idea to participate in 10 art fairs in a row, August, Sept and into October.

I’m not sure what we were thinking!

Maybe I thought some little elves would create more of my inventory in the few days between unpacking the car and packing it again to head off to another art fair.

I’m new really working flat out hard to try to keep up.

But, that being said, there is a lot of good that has come from this intensive experience.

We’ve both made an effort to ask advice from other artists we trust on how to show our art to its best advantage.

My sales have been much better this year than last.  I attribute that primarily to having started to frame my art quilts. It not only shows off each piece to its best advantage, but lends a more unified look to the booth. Plus I’m making a number of small art quilts: 5 x 7, framed to 7 x 9.  They sell well in an art fair setting.

Customers are now clear about how to hang the art quilts. I was always trying to explain about the “hanging sleeve,” the “slat,” etc. and it was going over heads.

My husband, Jay Ressler, is making my frames.  They are hand crafted from either re-purposed barn wood or hardwoods, stained and oil rubbed. I then cover a piece of foam core with black linen fabric, and sew the finished quilt to that.  Then I complete the frame with a backing and wire.  No glass of course!

I’m also beginning to weigh whether I want to continue making my craft items: Friendship Wine Totes and “Hot Spots,” that is, hot pads. Both carry through a constant in my work: using re-purposed fabrics and objects. For now, I plan to keep making them.

Compare the show on the left, this year’s booth shot, with last years’ booth shot of the same event.  They are similar, but the framing, on the left, unifies the work.

 

 

 

I am pleased to announce that I am now part of a small new group of art quilters. I was invited by the organizer, Karol Kasmaul of Florida.  We are from the United States, Canada, England, Australia, Norway, Japan and Korea — 11 fiber artists in all. We have committed to challenge ourselves over an extended period of time, using the overall theme of “Unusual Inspirations.” Following the inspiration of a new prompt every two months, we will create a small, medium or large art quilt, and post the results.

Here is our website — you can subscribe to follow our progress. https://www.clothincommon.com/

The first prompt, provided by Karol, is “What did you say?”

She concludes: “Your work could show loud, amplified sound like construction or thunder.  Or soft and faint sound, like a whisper.  How will you represent sound visually?”

The first thing that came to mind is that although I live peacefully in the countryside, my ears are assaulted day and night by the sound of my mother-in-law’s TV. She is a sweet soul who lives with us, and the TV keeps her company, though she pays scant attention to it. Instead her world consists of crossword puzzles and books. From the morning talk shows and Rachael Ray to The View and The Chew, through the afternoon to the evening news: Jeopardy, Wheel of Fortune, Chris Matthews, and everything in between, along with the prescription medication advertisements, automobile, Progressive Insurance, and “My Pillow” ads — my peace is punctured by TV sound waves. I see them as bright, sharp colors crowding the serenity of my space.

Here are some details from Elizabeth’s World.  it is not quilted yet — still a work in progress. Your comments and suggestions are welcome!

 

 

I’m looking forward to April 22-23 for the first ever Art Plus Gallery home studio tour.  Jay and I will open up our studio on those days to visitors.  We are planning demonstrations, refreshments, door prizes, and are hoping the garden is in bloom.

Studio Tour in Wyomissing Neighbors

Tickets can be purchased at the Gallery, 604 Penn Ave, West Reading, PA 19611, on line, or at any of the studios on the tour. The address of ours is 15 Rocktown Road, Hamburg, PA, 19526. The tour is from 10 AM to 4 PM both days.

The attached article is from Wyomissing Neighbors.

If you are anywhere close, come on by!

We’d love to see you.

 

A local gallery made a video of the artists (all artist couples) who participated in their show “Til Death Do Us Art.” My husband, Jay Ressler, and I were two of the couples included in the show.

Here is our video, fresh off the editing table!  It’s very short — don’t worry — we won’t go on and on!

The videos were made by Zachary Reinert.  Thank you Zach, and Jane Stahl of Studio B who organized this.

URL:

See Video here

Our first SAQA (Studio Art Quilts Associates) Pennsylvania group show opened October 22. Honestly it was a real high point.  My hubby and I brought our visiting cousin and her husband.  I just got a note from her, “We found the day of Connected by Stitch extra special.  The work was so incredibly varied and intricate.  I loved listening to your colleagues talk about their inspiration and techniques.  Very fun people too!”

I was so proud of us! We were led every step of the way by our state coordinator Meredith Armstrong. The Gallery at Penn College, directed by Penny Lutz hosted the show, and did a very professional job.

Here are a few pictures, and my one-minute presentation of my piece, The Secrets It has Kept.