Posts Tagged ‘Art Quilts’

I’m looking forward to April 22-23 for the first ever Art Plus Gallery home studio tour.  Jay and I will open up our studio on those days to visitors.  We are planning demonstrations, refreshments, door prizes, and are hoping the garden is in bloom.

Studio Tour in Wyomissing Neighbors

Tickets can be purchased at the Gallery, 604 Penn Ave, West Reading, PA 19611, on line, or at any of the studios on the tour. The address of ours is 15 Rocktown Road, Hamburg, PA, 19526. The tour is from 10 AM to 4 PM both days.

The attached article is from Wyomissing Neighbors.

If you are anywhere close, come on by!

We’d love to see you.

 

Just as I head off to Italy (today!) for vacation #2, I finished my first piece based on our trip to South Africa last month.

I made the linoleum blocks based on my quick sketches in the back of the open “safari-mobile” in which we traversed the bushvelt, on the lookout for the “Big 5.” This is a term widely used in Africa.  It’s origin was in hunting.  The “Big 5” were the hardest and most dangerous animals to hunt: Lion, Leopard, Elephant, Rhino and Cape Buffalo. Now their images grace the South African currency (with Nelson Mandela on the obverse.) And seeing them is a benchmark of success for your photo safari.

We didn’t get to see a Leopard.  They are the one animal which has the ability to cross in and out of the huge, fenced reserve.  Nor the Cape Buffalo.  It is nocturnal, and our brief 3 day visit did not include night time drives.

The Rhino here is a White Rhinoceros. They feed on grass, and their heads are always down.  The Black Rhino feeds on leaves of trees, and their heads are up.  They are more dangerous, as they can charge any time for virtually no reason.  Both are endangered. They are killed for their horn which is mistakenly said to have aphrodisiac powers.

This little piece will be a donation to the “Spotlight” Auction which is an annual tradition at the SAQA (Studio Art Quilts Associates) conference. This year it is in Lincoln, NE, and I will be attending.

my-first-safari-6-x-8

I just learned from my friend and fellow art quilter Sara Mika that there is a project called 1 Year of Stitches.  It is a thing! Gather your hoop, your needles, some cloth and all of that beautiful embroidery thread and join in.

1 Year of Stitches is the brainchild of Hannah Claire Somerville, who has invited anyone interested to join in this impressive endeavor.

Here is what I’ve been working on for a week or so.  Mine is an art quilt in becoming.  This is the part with most of the embroidery.  A photo of a rusty old car. (see it?  turn it clockwise: that’s a front headlight.)

This piece was inspired by a rusty old car at the end of our road, and a trip to a railroad museum yard.

rusty-musty-fusty

You can stitch on plain cloth, print cloth, linen — whatever makes you happy. Make abstract designs with stitches, or make a little picture — just be yourself.

Look at this densely embroidered beauty by Michelle Anais Beaulieu-Morgan.

Brown paper bag

Join the fun! Get your hoops on.

I tried something different. Starting with an old map (with which I am well supplied!), I created a mono print using gelatin printing and stamping. Then I covered both sides with Misty Fuse to preserve and stabilize the paper, added some fabric pieces, made a quilt sandwich, and quilted the piece. Finally, I added some found objects. The piece is called “Gulf Coast Pastimes,” after some of the wording on the map of Mississippi and Louisiana that is still visible. Plus I was thinking about some of the Gulf Coast pastimes of my younger years while working on it!

I am inclined to try more of these, but would appreciate some feedback.

gulf-coast-pastimes-smaller

I sent in my piece for the SAQA Trunk show in time for the deadline.  It is, somehow, the first time I’ve participated in this great concept.

My piece is called “Of Trees and History.” It’s an “out take” from a piece that was a study for “The Secrets It has Kept,” inspired by my visit to the 500 year old Angel Oak in South Carolina. I color shifted: orange for green on the tree, and turquoise for the trunk color.

This small section thus become an abstract.  It really was the best part of the original piece.  Sometimes that is what you need to do!  Cut it up.

SAQA ( Studio Art Quilts Associates) organizes members to submit small (10 x 7”) art quilts.  They will be mounted on a 12 x 9” backing board and sealed inside a clear envelope. The artist’s location, artwork title, statement and information about techniques and materials will be on the back.

There are about 400 pieces in the Trunk show, and they are then divided into groups to travel.

Our Pennsylvania chapter of SAQA reserved the Trunk Show last year for one of our meetings.  It was so much fun to lay them all and look at each one – so very different in style and technique. And yes, they did arrive in a real trunk!

This year’s Trunk Show will premiere at the 2017 SAQA Conference, which will be held at the end of April in Lincoln, NE. After that, it will travel to venues both in and out of the United States for up to 3 years.

You can make reservations for the 2017 Trunk Show, available in May, by contacting William Reker at shipping@saqa.com.  I think the cost is about $50.

I’m thinking about how to bring it to Reading, PA in the coming year.

SAQA Trunk Show

of-trees-and-history

 

I bought this hand painted fabric, from Indonesia, at Ladyfingers Sewing Studio in Oley, PA.  I was enamored with the colors and design. So far I’ve made one piece from it, plus a couple of fancy Hot Spots (pot holders that I make to sell.)

malasian-batik-1 malasian-batik-entire

Indonesian hand painted art cloth

Indonesian hand painted art cloth

I was attending a lecture by Quilter Lisa H. Calle at Ladyfingers, which mostly dealt with using rulers for machine quilting. I did buy a couple of them, and ordered a machine foot that is used with rulers, but I’m not sure this method will work for me very well.  Something in me prefers a quirky, asymmetrical look for machine quilting.  But still – I have to give it a try.

While there I met Laura A Cunningham, a fellow art quilter from Mifflintown. She told me to check out Cynthia England, who won best in show in Houston (International Quilt Festival) this year for her quilt “Capetown Reflections.”. I’ve never been attracted to constructing an art quilt using piecing. I find raw edge applique much more immediate.

But I checked out Cynthia England’s method — watched her video on her website, and decided to give it a try.

And – guess what –I liked it! Granted I didn’t make the best use of her complicated piecing method, as I was using entirely the art cloth, except for the white area with the tree drawing. But it did give me some practice with the method, and a bit more texture in the piece.

little-red-maple-detail-smaller the-little-red-maple-17-5-x-16-5-smaller

Plus, her use of freezer paper for the shape elements of a design could work better for construction raw edge applique.  I currently use tracing paper to trace the shape of each element in my cartoon (full scale drawing of my design). But the freezer paper sticks, slightly, to the surface of the fabric, allowing a more accurate cut out of the desired shape.

Is this going to be a change in direction for me? It’s too early to tell. Having tried only one art quilt using it, I’m not sure yet.

In my relatively isolated rural setting, I am grateful to artists’ websites and You Tube postings, and other ways of learning what other are doing. It helps to keep me in touch.

Hot Spot (hot pad) quilted on whole cloth.

Hot Spot (hot pad) quilted on whole cloth.

art-cloth-hot-spot-2 art-cloth-hot-spot-1

I’ve been asked to teach a class on hand embroidery.  Although I started embroidery at my grandmother’s knee at about age 8, I am no expert. So, I must learn. Thank goodness for Pinterest.

First I needed to straighten out my own collection of embroidery floss. I didn’t take a “before” picture, but, just think: “spaghetti.” I have a collection of 6 strand “regular” embroidery floss and #5 Pearl cotton (the non-divisible kind). I recently added a #8 Pearl Cotton to my collection, which is finer, and useful sometimes.

With the 6 strand floss, it’s OK to keep it wound in the two paper bands it comes in, as long as you carefully find the correct end to pull out. If you have the wrong end, it will tangle right away. So – let that go, and find the other end.  If you do have the right end, a length will pull out easily.

With the #5 Pearl, I can find no other solution that re-winding it right away onto cardboard bobbins. (unless it is the kind that comes in sort of a ball.  You can leave it wound on that ball.)

You can buy the bobbins (they’re cheap), or you can make your own out of pressed cardboard (the kind cereal boxes are made of.)

cards

The cardboard bobbins are also useful to organize and keep neat your 2-strands or 3-strands of the 6 strand floss that you have separated, but not used yet.

OK, so now my thread is organized.

box-1 box-2

I’ve been using embroidery as a surface decoration in my art quilts for some time.

steel-valley-16-5x13-small

But here is a piece I’m working on now that is all about embroidery.

hummingbirds

I also will make a sampler piece with about 6 basic stitches.  And borrow heavily from Pinterest to give my students ideas: feminist or subversive sayings, “Zenbroidery” using a pen and ink abstract drawing as basis, botanicals – there are a lot of ways to go with this.

I’ll post more in the future as this develops.

Any ideas you may have are welcome!