Posts Tagged ‘Art Quilts’

I am pleased to announce that I am now part of a small new group of art quilters. I was invited by the organizer, Karol Kasmaul of Florida.  We are from the United States, Canada, England, Australia, Norway, Japan and Korea — 11 fiber artists in all. We have committed to challenge ourselves over an extended period of time, using the overall theme of “Unusual Inspirations.” Following the inspiration of a new prompt every two months, we will create a small, medium or large art quilt, and post the results.

Here is our website — you can subscribe to follow our progress. https://www.clothincommon.com/

The first prompt, provided by Karol, is “What did you say?”

She concludes: “Your work could show loud, amplified sound like construction or thunder.  Or soft and faint sound, like a whisper.  How will you represent sound visually?”

The first thing that came to mind is that although I live peacefully in the countryside, my ears are assaulted day and night by the sound of my mother-in-law’s TV. She is a sweet soul who lives with us, and the TV keeps her company, though she pays scant attention to it. Instead her world consists of crossword puzzles and books. From the morning talk shows and Rachael Ray to The View and The Chew, through the afternoon to the evening news: Jeopardy, Wheel of Fortune, Chris Matthews, and everything in between, along with the prescription medication advertisements, automobile, Progressive Insurance, and “My Pillow” ads — my peace is punctured by TV sound waves. I see them as bright, sharp colors crowding the serenity of my space.

Here are some details from Elizabeth’s World.  it is not quilted yet — still a work in progress. Your comments and suggestions are welcome!

 

 

The Studio Art Quilt Associates annual silent auction is an opportunity for collectors to find new artists, and add to their collection of established art quilters.  All the work is in, and we are counting down until the Sept 15 bidding begins.

http://www.saqa.com/auction-quiltviewALL.php

To find my quilt, for example, enter “Ressler” in the search bar. This year, 370 SAQA members donated 12 x 12″ art quilts to the auction. Last year the auction raised nearly 80K to aid SAQA’s exhibition and outreach programs.

The dates are September 15 through October 8, 2017.

Here is my piece: Perilous.

Perilous smaller

 

I have many painter friends, and I am active in the local art world as well as the community of Art Quilters.  So when Plein Air West Reading loosened its rules this year, I decided to take up the challenge.

This is the second year of the event. For 2017 only 80% of your piece has to be completed outdoors.  The rest can be in the studio.

Here’s what I did: limited my palate to blacks, whites and grays, and pre-fused some workable size pieces to take with me. I packed a scissors, tracing paper, parchment paper, drawing paper, muslin and pencil and set up a small table near an outlet so I could plug in my iron.

I started as any Plein Air artist would: made a sketch.  For me, the sketch had to be the same size as the finished piece would be.  And I worked as I always do: traced the shapes in the drawing from the sketch (the buildings, the sky etc) and cut them out in fabric.

Honestly the experience did me more good than I thought it would.  As in all plein air work, the values are higher keyed (brighter — more white) than when translated through a photograph.  Since values are my most difficult artistic component, it was a useful adjustment to work outside. Also, of course, you can walk around and better see what you are trying to depict than when working from a photo.

The most difficult part was trying to keep the pieces from moving in the slightest breeze.  A pin or two helped here. And I don’t know how I could do this without an extension cord and iron fairly handy. I used it by heating it up, unplugging and bringing over to my work — still hot enough to activate the fusing and hold the fabric pieces down. But I couldn’t be too very far from it.

Of course I finished the pieces in my studio: using my sewing machine for the quilting and binding. I also took photos, printed them on cloth, and places them in key spots.  Those I printed in color, so the works were desaturated with bits of color.

These will be shown June 17 at Art of the Avenue in West Reading.  Just look for the Art Quilts in the Plein Air display.  I doubt there will be any others.  But maybe next year!

I would like to take a moment to celebrate the conclusion of my most recent class: Raw Edge Applique at The Arts Barn in Schuylkill Haven, PA. First of all, owner Deb Cooper and Education Director Joanne Cosentino were so gracious and accommodating from beginning to end, even providing snacks for the students during class. I am very grateful to them.

There were 4 students.  Even that small number kept me busy every moment. They were good humored, smart, and cooperative. I loved to see when they “got it!” Some examples of comments, this from an experienced traditional quilter, “This is so much more freeing than making all the little squares!”  “Wow, what a difference it makes when you’ve quilted the piece”

I provided little thumbnail sketches they could use for composition ideas.  Two used them, one made her own composition, and one took hers from my Quilt National 2015 Catalog. She said she kept coming back to “Infinity” by Elena Stokes, and ended up nearly copying that. (on a much smaller scale, with different fabrics.) I hope Elena takes that as a compliment!

The one composition “rule” I impart to beginning students is to avoid the center of a piece. You are trying to keep the eye moving. Use the “rule of thirds,” or at least don’t put an eye catcher in the center!

I brought in two sewing machines, one set up with a walking foot for straight line quilting, and one for free motion.  I didn’t want them to get hung up on fancy quilting techniques for an introductory class.  We only had two 3-hour sessions. Near the end I changed the free motion machine to straight stitch so they could finish the bindings.

They worked in small sizes.  I cut muslin for the substrates approximately 12 x 16″ with batting to match. I had two ironing stations set up, which also worked well. I teach using Mistyfuse, and each student got about 2 yards of it to work with.

I began the class by showing pictures of Art Quilts, and also explaining the relationship between traditional quilts and art quilts, and where raw edge applique fits into the later category. I brought in some of my own pieces, and gave brief demonstrations at various points: how to start, squaring and trimming, quilting, and binding.  I had instructions available for both “facing to the back” and quarter inch binding.  Everyone chose to use the “facing to the back” method.

I also gave color suggestions, using a color wheel.  You can’t go wrong with complimentary colors!

My own take-away is that two 3-hour classes is the very least time needed to start to learn this method. More time would have been better.  But everyone almost finished their work, or is prepared to finish it at home.

 

 

 

At this time of year I am so grateful to live in a Northern clime.  The “change of seasons” we all claim we love can work against us in February.  But in April and May watching the leaves burst forth in their yellow-green bounty is pure joy.  My studio looks out onto our garden, filled with flowers and birds, and from there to the wildflower meadow and treeline beyond. Yes, it calls to me to come out and weed and plant.  But it also demands its story be told in art quilts.

All of these are from talking walks near my house.  In the case of “North Mountain,” I only have to walk out of my front door.

I’ve been working on smaller scale pieces, getting ready for the many art fairs coming up this year.

My husband Jay has been making the frames to float these pieces.  Inside each is a 5 x 7 fully finished little art quilt. They are poplar, routed, sanded, cut and oil stained, then hand rubbed wax finish.

Here are some of them.

I’m looking forward to April 22-23 for the first ever Art Plus Gallery home studio tour.  Jay and I will open up our studio on those days to visitors.  We are planning demonstrations, refreshments, door prizes, and are hoping the garden is in bloom.

Studio Tour in Wyomissing Neighbors

Tickets can be purchased at the Gallery, 604 Penn Ave, West Reading, PA 19611, on line, or at any of the studios on the tour. The address of ours is 15 Rocktown Road, Hamburg, PA, 19526. The tour is from 10 AM to 4 PM both days.

The attached article is from Wyomissing Neighbors.

If you are anywhere close, come on by!

We’d love to see you.

 

Just as I head off to Italy (today!) for vacation #2, I finished my first piece based on our trip to South Africa last month.

I made the linoleum blocks based on my quick sketches in the back of the open “safari-mobile” in which we traversed the bushvelt, on the lookout for the “Big 5.” This is a term widely used in Africa.  It’s origin was in hunting.  The “Big 5” were the hardest and most dangerous animals to hunt: Lion, Leopard, Elephant, Rhino and Cape Buffalo. Now their images grace the South African currency (with Nelson Mandela on the obverse.) And seeing them is a benchmark of success for your photo safari.

We didn’t get to see a Leopard.  They are the one animal which has the ability to cross in and out of the huge, fenced reserve.  Nor the Cape Buffalo.  It is nocturnal, and our brief 3 day visit did not include night time drives.

The Rhino here is a White Rhinoceros. They feed on grass, and their heads are always down.  The Black Rhino feeds on leaves of trees, and their heads are up.  They are more dangerous, as they can charge any time for virtually no reason.  Both are endangered. They are killed for their horn which is mistakenly said to have aphrodisiac powers.

This little piece will be a donation to the “Spotlight” Auction which is an annual tradition at the SAQA (Studio Art Quilts Associates) conference. This year it is in Lincoln, NE, and I will be attending.

my-first-safari-6-x-8