Posts Tagged ‘Berks County’

I started a new series of small quilts.  They are based on the 72 municipalities of Berks County. The local paper is doing a series – one of them a week, alphabetically.

So far I’ve done four: Albany, Alsace, Amity and Bally. I drove to each place, and picked something to draw. Then drew it on fabric, embroidered it, and composed the rest of the little quilt.

Here they are. Stony Run In in Albany. My mother in law grew up here, and we’ve eaten at Stony Run Inn several times.

Albany lo res

Next is Alsace.  I chose Spies Church, overlooking rolling countryside.

Alsace lo res

And the one with the nicest name: Amity. For that I liked the look of St. Gabriel’s Church in Douglassville. Amity Township is the oldest in Berks County.

and finally, so far, Bally. I didn’t expect it to me much, but it’s a cute little town. I chose this diner, that looks more like a castle.

Bally lo res

Only 68 more to go!  It would certainly help if the newspaper managed to get this series on-line. For the next one, Bechtelsville, I have to virtually drive all the way back to Bally — an hour away. Grump, grump.  I could have hit them both in one shot!

red barn and spring house lo res

Red Barn and Spring House is a spot I know well, as it’s right next door on my sister and brother in law’s property. They don’t use the old spring house anymore, but I like to think about how it used to keep milk and cheese cool in the warm summer months. It’s pretty muddy there, but the cows don’t seem to mind.  They can always find water in the boggy parts.

My hubby likes to tell the tale of painting this barn when he was a teenager, especially the hex signs.  I do believe it must have been a harrowing experience.

I like the way the roof of the barn turned out.  Even though it was snow covered, you could still see some textures and even some color from the underlying roof and I wanted to capture that.

Martha Ressler

Red Barn and Spring House

Art Quilt

16 x 20″

At this time of year I am so grateful to live in a Northern clime.  The “change of seasons” we all claim we love can work against us in February.  But in April and May watching the leaves burst forth in their yellow-green bounty is pure joy.  My studio looks out onto our garden, filled with flowers and birds, and from there to the wildflower meadow and treeline beyond. Yes, it calls to me to come out and weed and plant.  But it also demands its story be told in art quilts.

All of these are from talking walks near my house.  In the case of “North Mountain,” I only have to walk out of my front door.

I’ve been working on smaller scale pieces, getting ready for the many art fairs coming up this year.

My husband Jay has been making the frames to float these pieces.  Inside each is a 5 x 7 fully finished little art quilt. They are poplar, routed, sanded, cut and oil stained, then hand rubbed wax finish.

Here are some of them.

Michael L Miller, Wyomissing art teacher and founder of Berks Community Murals, started off his walking tour of the murals of West Reading with addressing one the biggest fears of public murals. Many people have seen murals they don’t like– the colors might be garish, or the design primitive. He described the dreaded “Let’s put some paint brushes in the children’s hands.”

But his approach, learned from the Philly Mural Arts Program, is very different. He has been able to retain overall artistic direction, and yet involved many people, including young children, in the actual work.

He showed us an example in the “West Reading Is . . . .” mural on Cherry Street. Residents were invited to write down what they think of when they think about their community.  The answers were many and varied: from skunks to skateboards. All of them were then represented by simple visual stencils. The overall design of the mural was created by Mr. Miller, but young painters were let loose to divide areas into geometric designs, and apply the stencils. The overall design is unified and artistic, while incorporating real meaning.

Another example is “Viral Van Gogh.” Wyomissing Area High Schools Public Art Workshop was trying to come up with a design for a mural on the wall of a pharmacy. One idea was based on Vincent Van Gogh’s painting, Starry Night. Another was based on greatly magnified viruses. After collective brainstorming, students came up with a design that has the look of Starry Night, but is inhabited by giant viruses that look like starbursts. More subtly in the design are chemical formulas and lab beakers.

During the course of the morning, he gave us all the details: how do they create these giant works of art? What materials do they use? How long do they last? What surfaces are good for murals?

Most are painted on a polyester interfacing material. The design is drawn out and the colors coded. Painting becomes like filling in a giant color by number piece. The individual pieces are then glued to the wall with a clear, acrylic gel glue. And no — they cannot be removed. “Just enjoy them while they are there,” Mr. Miller advised. The life of a mural is 15-20 years. He says, “Then it’s time to make another one!”

The paint used is an acrylic with UV protection manufactured by Nova Color. An additional UV protective acrylic varnish is added to the surface. But eventually direct sunlight will break down the vibrancy of the murals. Additional maintenance may have to be done if the wall becomes damaged in some other way.

As far as the wall surfaces go, rough surfaces can be smoothed. But the cloth panels can otherwise be adhered to brick, concrete block or concrete.. East facing walls are the best. For south facing walls, Mr. Miller recommends use of glass mosaic. This increases the cost, but is not affected by sun damage over time.

The murals in West Reading were mostly funded through the West Reading Elm Street Program, Dean Rohrbach, Manager. The murals are owned by the property owner, and could theoretically be painted over, but that has not happened, nor has graffiti damage.

Initial skeptics have in many cases become ardent supporters of the beautiful murals. Residents prize them. Visitors also find time to eat in one of the many fine restaurants in West Reading, or shop in local stores and art galleries. The murals have become a local treasure.

Kline Street Mosaic 2010

Mosaic on garage on Kline Street. 2010. Designed and created with students in Wyomissing Public Art Workshop.

Classroom of Michael L Miller at Wyo elementary school

Michael L Miller in his art classroom, explaining the details of the creation of murals.

A Walk in the Park by Jane Runyon lead artist

Mr. Miller points out where the four panels of cloth meet on this approximately 10 x 16 foot mural by artist Jane Runyon, 2014. Russ Slocum looks on.

Detail Viral Van Gogh

Detail of Viral Van Gogh, painted on the side of a pharmacy. The overall design takes after Vincent Van Gogh’s painting Starry Night, but giant viruses (including HIV) take the place of star bursts.

I and West Reading 2010

I and West Reading, 2010. Designed and painted by students in WAHS’s Public Art Workshop. The mural is inspired by artist Marc Chagall’s painting I and the Village, painted in 1911.

Sixth and Franklin Mosaic Michael L Miller 2012

Blocked in windows look a lot better with these mosaics made by Michael L Miller. This is an example of a south facing wall which is better served by using glass mosaic, which is not subject to fading in the sun.

Detail of West Reading Is . . . stencils of what residents think of when they think of West Reading. Note how the green tree also becomes roof shapes for row houses. Designed by Exquisite Fource, created b youth from Wyomissing Public Art Workshop

Detail of West Reading Is . . . stencils of what residents think of when they think of West Reading. Note how the green tree also becomes roof shapes for row houses. Designed by Exquisite Fource, created b youth from Wyomissing Public Art Workshop

Lingering Winter

This is another new piece inspired by walking and visiting towns in Berks County, my new home. Hamburg is the town of 3000 something that is closest to us, and this is from there. I combined a couple of locations, the church with the pointy green towers, a house, and some row houses. The background represents the mountains in the background, against which the little town nestles.

Old Dye Works

Along with my partner Jay Ressler, I have started visiting towns in Berks County for artistic inspiration. This piece represents an old dye works in Shoemakersville. It turns out Jay’s grandmother worked at an knitting factory across the street years ago. I was interested in the textures of the brick work, and had great fun with them, using piecework, embroidery and found objects. I also tried a direct dye method using a silk screen for the trees at river bank in the background.