Posts Tagged ‘Ladyfingers Sewing Studio’

The Little Red Maple lo res

The smallest of our red maple trees, with the final leaves clinging to its branches caught my eye in late autumn. The background is pieced sections of a hand painted cloth panel from Malaysia, bought at Ladyfingers Sewing Studio in Oley, PA (a treasure trove of fine fabrics.)

I had actually made most of this piece a couple of years ago, but added the extensive hand embroidery during my recent vacation during long hours riding in the car. I  think it changes it completely, echoing the white of the tree section. Now, it’s done!

Martha Ressler

The Little Red Maple

Art Quilt

17.5 x 16.5″

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I bought this hand painted fabric, from Indonesia, at Ladyfingers Sewing Studio in Oley, PA.  I was enamored with the colors and design. So far I’ve made one piece from it, plus a couple of fancy Hot Spots (pot holders that I make to sell.)

malasian-batik-1 malasian-batik-entire

Indonesian hand painted art cloth

Indonesian hand painted art cloth

I was attending a lecture by Quilter Lisa H. Calle at Ladyfingers, which mostly dealt with using rulers for machine quilting. I did buy a couple of them, and ordered a machine foot that is used with rulers, but I’m not sure this method will work for me very well.  Something in me prefers a quirky, asymmetrical look for machine quilting.  But still – I have to give it a try.

While there I met Laura A Cunningham, a fellow art quilter from Mifflintown. She told me to check out Cynthia England, who won best in show in Houston (International Quilt Festival) this year for her quilt “Capetown Reflections.”. I’ve never been attracted to constructing an art quilt using piecing. I find raw edge applique much more immediate.

But I checked out Cynthia England’s method — watched her video on her website, and decided to give it a try.

And – guess what –I liked it! Granted I didn’t make the best use of her complicated piecing method, as I was using entirely the art cloth, except for the white area with the tree drawing. But it did give me some practice with the method, and a bit more texture in the piece.

little-red-maple-detail-smaller the-little-red-maple-17-5-x-16-5-smaller

Plus, her use of freezer paper for the shape elements of a design could work better for construction raw edge applique.  I currently use tracing paper to trace the shape of each element in my cartoon (full scale drawing of my design). But the freezer paper sticks, slightly, to the surface of the fabric, allowing a more accurate cut out of the desired shape.

Is this going to be a change in direction for me? It’s too early to tell. Having tried only one art quilt using it, I’m not sure yet.

In my relatively isolated rural setting, I am grateful to artists’ websites and You Tube postings, and other ways of learning what other are doing. It helps to keep me in touch.

Hot Spot (hot pad) quilted on whole cloth.

Hot Spot (hot pad) quilted on whole cloth.

art-cloth-hot-spot-2 art-cloth-hot-spot-1