Posts Tagged ‘landscape’

I decided to put my current show on line.  It is at Awesome Dawgs, what happens when a dog trainer marries an art gallery owner.  An art gallery with a dog training problem, or a dog training facility with an art problem.

Either way, the venue is friendly to art-loving humans and their four legged friends.

Silent Stacks, Fiery Sky, Art Quilt, 25 x 25″ framed. A quiet night in Bethlehem, PA. The preserved steel stacks are dark, but the sunset is brilliant. It struck me that this was the opposite of the past, when the stacks spewed smoke and fire, and the sky was obstructed.

Silent Stacks-fiery sky 23 x 23 small

Steel Mills at Night, Art Quilt, 17 x 22″ framed. An interpretation of Raymond Simboli’s watercolor from 1952, “Steel Mill.” $580

steel mills at night smaller

‘Round the Bend, Art Quilt, 16 x 20″ framed. An interpretation of Everett Longley Warner, Monongahela River, c. 1941. $375

round the bend 16 x 20 after Everett Longley Warner, Monongahela River c 1941

Walking Sketches, Art Quilt, 22 x 22″ framed. As I walked through the streets of the old industrial neighborhood where we lived in Pittsburgh, I got a feeling for the colors, shapes and textures around me. This piece reflects that. It includes some of my “best” found objects, and most interesting altered fabrics. $450

walking sketches 20 x 20

At the River’s Edge, Art Quilt, 21 x 28″ framed. A visit to the old dye works in Shoemakersville, PA, inspired this view of the old factory and the Schuylkill River. The construction method is raw edge applique, with free motion machine quilting. $500

At the Rivers Edge smaller

Stone House in the Valley, Art Quilt, 24 x 31″ framed. I always notice this spot when we visit our cousins in Albany Township, PA. I carried it out in monochrome colors except for the tree. Raw edge applique and machine quilting. $600

stone house in the valley 22 x 29

South Carolina Dawn, Art Quilt, 18 x 23″ framed. Visiting Palm Island South Carolina we arose at dawn for a walk or ride on the beach. This is what I saw. $360

south carolina dawn smaller

Hassler’s Run, Art Quilt, 12 x 15″ framed. Winter landscape, Hassler Run, Tilden Twp. $145

hasslers run smaller

Rusty Musty Fusty, Art Quilt, 24 x 18″ framed. Yo! I like ’em rusty and musty/ Old city factories all scruffy/ And in the country so crusty/ They were cars or trains, all them parts so fusty/ Lying around — almost art — a little fuzzy/ The sun makes you just/ Lovely though scruffy/ That’s OK I’m not fussy/ I’ll take you thusly/ Beauty all rusty. $500

Rusty Musty Fusty small

About the House on the Hill, Art Quilt, 17 x 19″ framed. I started with the image of my neighbor’s house up the hill from us, and made a fantasy landscape from that. $320

about the house on the hill 16.5 x 18 smaller

Awesome Dawgs is located at 3052 Pricetown Rd, Temple, PA.  Their phone number is 610.944.7630. The show will be up through the end of the year. They are able to handle purchases if a check is made out to me.  Otherwise, I can take care of credit card purchases.  Just in case anyone is interested!

Cheers.

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At this time of year I am so grateful to live in a Northern clime.  The “change of seasons” we all claim we love can work against us in February.  But in April and May watching the leaves burst forth in their yellow-green bounty is pure joy.  My studio looks out onto our garden, filled with flowers and birds, and from there to the wildflower meadow and treeline beyond. Yes, it calls to me to come out and weed and plant.  But it also demands its story be told in art quilts.

All of these are from talking walks near my house.  In the case of “North Mountain,” I only have to walk out of my front door.

I’ve been working on smaller scale pieces, getting ready for the many art fairs coming up this year.

My husband Jay has been making the frames to float these pieces.  Inside each is a 5 x 7 fully finished little art quilt. They are poplar, routed, sanded, cut and oil stained, then hand rubbed wax finish.

Here are some of them.

I work in a series by natural inclination.  After I’ve finished a piece, it makes sense to me to keep going with an idea as long as it still interests me. I see if there is a variation that I want to try, a different technique, or just push an idea a little further.

But after listening to a lecture by Kathleen Loomis at the recent SAQA Conference (Studio Art Quilt Associates) on this topic, I picked up on something new to me.

She posed the question: how many series to do you work on at once?

And — oops — I had thought I had to finish (exhaust) a series before starting something new.  It felt, well, disloyal to an idea to leave it hanging to pursue a new one.

Now, since I understand that it’s “OK” to work on more than one series, I’m doing just that.

Here are three pieces I just finished.

The first one, “The Right to Arm Bears” is the upteenth in a series I started in January of combining photos of objects in my environment to create imaginary landscapes — often humorous ones.

The second one is maybe the third in a series of “old wood,” inspired by our humble wood pile here on the farm. There are more to come of these for sure.

And the third one is the first of a series of using bits of plastic toys. There are so many at the flea market I visit every week.  Perhaps they were once loved, but are now discarded. I’m thinking of the series as “throw away nation.” And my thoughts also drift to the waste of human lives, not just tons of plastic, due to racism or wars. Hey — I do have a serious side, but don’t tell anyone!

Artists Announced for My Corner of the World Exhibits

Juror Micaela Fitzsimmons, Manager of Collections and Exhibits at the Stratford Perth Museum in Stratford, Ontario, has selected the artists to be included in the My Corner of the World exhibit.

My Corner of the World invited the artist to examine a world, real or imagined, that represented what is important in life. It might be where the artist resides, works, or grew up. It might be a favorite place from any point in life or a special internal place. My Corner of the World looks at the big picture including, but not limited to a homeland, ancestry or culture.

SAQA developed this exhibition in collaboration with the Stratford Perth Museum, Stratford, Ontario, Canada, and with the Canadian Regions of SAQA. The all-SAQA exhibition will debut along with the parallel regional Canadian exhibition at the Museum in May 2016.

Congratulations to all the accepted artists!

All-SAQA My Corner of the World exhibit (artist, location, and title)

Linda Anderson (California, USA) – Timeless Beauty
Bonnie Askowitz (Florida, USA) – The Sun Sets over Blackwater Sound
Peggy Blei-Hracho (Pennsylvania, USA) – Home: noun, A Place Where Something Flourishes
Peggy Brown (Indiana, USA) – Shades of Italy III-Day Lily
Bonnie Bucknam (Washington, USA) – Willow Wood
Erika Carter (Washington, USA) – Cradle
Maya Chaimovich (Israel) – Hidden Line
Vicki Conley (New Mexico, USA) – Conflagration, Desolation, Rejuvenation, Jubilation #2
Millie Cumming (Ontario, Canada) – Grand Artefacts
Millie Cumming (Ontario, Canada) – Summer Idyll, Waterlily Bay
Jennifer Day (New Mexico, USA) – New Mexico Schoolhouse
Dianne Firth (Australia) – Rolling Hills
Bodil Gardner (Denmark) – My childhood country
Bethany Garner (Ontario, Canada) – Turning Point
Mita Giacomini (Ontario, Canada) – August
Georgia Heller (Arizona, USA) – Life on the Trail:Brown’s Ranch
Bella Kaplan (Israel) – The Eagle Falls
Kathleen Kastles (Hawaii, USA) – Texting at the Food Court
Jill Kerttula (Virginia, USA) – 3rd and Main
Ellie Kreneck (Texas, USA) – West Toward Home – Bright Spirit
Jenny Lyon (California, USA) – Prairie Afternoon
Kate Madeloso (Nova Scotia, Canada) – A Vanishing Culture
Bobbe Shapiro Nolan (Texas, USA) – Oil Patch #1: Clutch Manifold
Claire Passmore (Wiltshire, UK) – Forced Removal
The Pixeladies (California, USA) – Fault Line
Joan Reive (Ontario, Canada) – Lake Vistas #2
Martha Ressler (Pennsylvania, USA) – Evening in Steel Valley
Judith Roderick (New Mexico, USA) – My Tree of Life Quilt
Molly Samuels (South Carolina, USA) – Blue Heron
Barbara Schneider (Illinois, USA) – Line Dance, Tree Ring Patterns, var. 13
Karen Schulz (Maryland, USA) – SPP 12
Alison Schwabe (Uruguay) – Purnululu #7
Sara Sharp (Texas, USA) – Birding on Quiet Hill
Maria Shell (Alaska, USA) – Root Glacier
Gail Sims (California, USA) – The High-Line, New York City
Carolyn Skei (Texas, USA) – Alcove
Virginia Spiegel (Illinois, USA) – Boundary Waters 60 (Rock Time)
Gwyned Trefethen (Wisconsin, USA) – Deconstructed Sunrise #3
Maggie Vanderweit (Ontario, Canada) – Snowfall in Sunlight
K. Velis Turan (New York, USA) – Broadway El
Laura Wasilowski (Illinois, USA) – Blue Chair in the Library with a Candlestick

evening in steel valley21x26.5small

I was so pleased to learn that a piece of mine was accepted into Turmoil, a SAQA (Studio Art Quilt Associates) exhibit.

According to the Prospectus: “Turmoil is defined as a state of great disturbance, confusion or uncertainty.  It can be personal and internal, societal or natural.

“This exhibition features work that depicts chaos, discord, imbalance and tumult. Artists were requested to explore the meaning of turmoil in their own lives. The works selected represent turmoil through color, line, and composition.

“Turmoil is scheduled to debut at IQF Houston along with Tranquility: Turmoil will be hung in the exterior space created by paneled walls, with Tranquility in the interior space. This environment will mirror the chaos depicted in these works. Artists were encouraged to consider submitting a piece for the exhibition, Tranquility, as well, addressing in art, the antonym and direct opposite, of their personal interpretation of Turmoil.

“Juror:  Kate Lydon

“Kate Lydon is the Director of Exhibitions at the Society for Contemporary Craft (SCC) in Pittsburgh, Pennsylvania, and oversees the installation of exhibitions mounted at SCC’s main Strip District gallery and at the One Mellon satellite gallery in downtown Pittsburgh.

Mother Serves the Turkey II 31 x 26.5

M Ressler Mother Serves the Turkey

“EXHIBITION SCHEDULE

International Quilt Festival – Houston, TX: October 2016
International Quilt Festival – Chicago, Illinois: April 2017
Quilt, Knit, Stitch – Portland, Oregon: August 2017”

I thought I was making pieces for this exhibit during my “27 Art Quilts in 30 Days” hyper effort during January of this year. But my measurements didn’t match the show’s requirements, so I remade the original two, plus one more, the next month, still in time to submit.

It was one of the ones I made twice that got in: Mother Serves the Turkey II.  Note to self: its a good idea to make a piece more than one time.  You learn things!  This version is better than the first one.

This piece has a narrative: “Everything is topsy-turvy.  Usually when Mother ‘serves the turkey’ she roasts it for others to enjoy eating.  Today however, she serves Mrs. Hen Turkey her favorite food, watermelon. In addition, Pony has gone on strike, leaving Turtle to pull Baby in the Wagon. Is there a war going on in the background? I can’t keep track of which one it is.  Oh dear, are they shooting at the artist?  She is oblivious.”

 

This is the total of what I got done in January: 27 art quilts in 30 days, participating in the 30 Paintings in 30 Days, international art challenge.

Each piece is not linked to its “day.” <sorry!> Day #1 is top left, and it continues left to right along the top row. All the way down to the bottom right. The Tree Map piece is pictured as it is now, incomplete, with 6 pieces.  It will have a total of nine. You can go to my blog to view each piece, and read about its inspiration.

I was going to leave out the demonstration sample from my art quilt class, but then stuck it in anyway so the number would equal 27. It is tagging along at the bottom right.

Congratulations to everyone who participated in this, especially my fellow Art Plus Gallery members, Karen Weber and Gloria Urban, and Sue Goodling.

I hope everyone has a great year making art!

30 days total

Mother is walking the squirrel, Mrs. Turkey Hen looks for her baby, who is next door trying to learn to read. Meanwhile Banana man checks on the weather, while the children play.

Another one in the series of life in the country, as it isn’t! The title is Curious Happenings, and the size is 15.75 x 33.5 This was a one day piece, albeit all-day! I’m using the same technique of pieces of plastic bags overlaid with tulle, or sheer fabrics. The original photos are printed onto cloth, and the commercial cotton pictures are backed with Mistyfuse and “fussy cut.”

Only five days left!  I might change direction today.