Posts Tagged ‘plastics’

After I made my sampler for my upcoming “12 Ways to Use Found Objects” in art quilts class, I decided I liked the little cat  (#9) so much I wanted to turn the idea into a little art quilt. (see my posted blog for Dec. 22.)

So, here is how I made him. The substrate is black felt (I lined the back with a fused piece of cotton fabric for extra strength. Next I cut the various elements, mostly using a tin snips (Stanley). It makes light work on plastics. The red tool is just a wire cutter. (yikes I really should clean these tools!)

Then I started to lay it out.

 

Hm, it looks like he needs something behind him.

Krazy Kat 1

I had started to add the hand embroidery at that point.

Here is Krazy Kat finished.  He is 5 x 7, and waiting for his frame.  I’ll show him in January.

Oh dear, the ears get a little lost with that background .  .  .  .

Krazy Kat

 

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I am designing a class that I’m calling “12 Ways to Use Found Objects” in your art quilts. This is my Sampler of the 12 Ways. Which are listed below.

Can you see the numbers next to each image: 1, 2, 3 etc?

Sampler for 12 Ways class

  1. Glue on/ sew invisibly.  This is the easiest and most obvious.  I try to at least rotate the object, so it is not so obvious what it is, or was.  Can you tell what this is/was?
  2. Sew on decoratively.  This changes the “thing,” using decorative or contrasting stitching.
  3. Trap/ tulle/ cheese cloth. Trapping the object with net, cheese cloth or tulle.  sewing the cloth down can be done in a number of ways.
  4. Paint the object. This is very useful.  An ordinary object like a bottle cap can look quite different. In this case I also drilled a hole in the bottle cap.  Also useful!
  5. Change shape/ cut.  This is crucial.  I use many different tools, depending on what I am cutting. For example a utility knife for cork, a metal shears for plastics and metal and a Dremel for ceramics. Can you tell what this was before I cut it?
  6. Paper –  text. By fusing MistyFuse to both sides of paper it can be preserved and stitched. Text can be meant to be read. This example shows the text using two different ways of cutting it out.
  7. Paper – as texture, design only. Or papers can be used just as a design element.  Can you tell what this paper was originally? Either way, it has MistyFuse on both sides of the paper.
  8. Reverse applique. This is not quite the proper use of “reverse applique” but I wanted to express the idea that an item can be placed under the top layer of the quilt.  There are many ways to do this.
  9. Create animals/ figures. Of course this one takes some time.  The little creature has to be created, then attached.
  10. Heat/ distort/ plastic bags. This takes some experimenting with heat, and different types of bags.  I have quite a collection!
  11. Sew directly on the paper – Greeting cards. This method isn’t really for art quilts, but is useful for making greeting cards out of your collection of cards received.
  12. Combinations methods. Stacking. Paint/ trap. Cut/ paint. A reminder that by combining methods the possibilities are endless!

I’m sure there are more as well.  This is the first time I am offering this class. I hope to continue to experiment and learn from my students as well.

I’ll blog after the class this winter!

I had to squeeze in one more before the challenge is over.  This is number 6 in Tree Map, completing the red-violet section.  The final three, on the right, will be yellow-orange, making a triad color scheme. That means they are three colors equidistant on the color wheel.  Like red, yellow, and blue are.

I do recommend that artists keep a color wheel close at hand, and use it.

This is a “two day” piece, and a continuation of the theme of unknown neighbors. For the background,  I continued the use of plastic bags (I have quite a collection of wonderful colors) along with tulle (sheer fabric) and of course Mistyfuse, a heat activated fusing material for fabric.

My sister-in-law’s pet turkey makes another large scale entrance, as well as a new item found in someone’s yard — the funny little man in the top hat. And of course I’m continuing to have fun with quirky commercial prints. Oh, and for some reason there has been a baby picture of my uncle in my studio for some time. He gets center stage.

The title is “Strange Neighbors?” and the size is 14.25 x 30.25.