Posts Tagged ‘Plein Air’

I have many painter friends, and I am active in the local art world as well as the community of Art Quilters.  So when Plein Air West Reading loosened its rules this year, I decided to take up the challenge.

This is the second year of the event. For 2017 only 80% of your piece has to be completed outdoors.  The rest can be in the studio.

Here’s what I did: limited my palate to blacks, whites and grays, and pre-fused some workable size pieces to take with me. I packed a scissors, tracing paper, parchment paper, drawing paper, muslin and pencil and set up a small table near an outlet so I could plug in my iron.

I started as any Plein Air artist would: made a sketch.  For me, the sketch had to be the same size as the finished piece would be.  And I worked as I always do: traced the shapes in the drawing from the sketch (the buildings, the sky etc) and cut them out in fabric.

Honestly the experience did me more good than I thought it would.  As in all plein air work, the values are higher keyed (brighter — more white) than when translated through a photograph.  Since values are my most difficult artistic component, it was a useful adjustment to work outside. Also, of course, you can walk around and better see what you are trying to depict than when working from a photo.

The most difficult part was trying to keep the pieces from moving in the slightest breeze.  A pin or two helped here. And I don’t know how I could do this without an extension cord and iron fairly handy. I used it by heating it up, unplugging and bringing over to my work — still hot enough to activate the fusing and hold the fabric pieces down. But I couldn’t be too very far from it.

Of course I finished the pieces in my studio: using my sewing machine for the quilting and binding. I also took photos, printed them on cloth, and places them in key spots.  Those I printed in color, so the works were desaturated with bits of color.

These will be shown June 17 at Art of the Avenue in West Reading.  Just look for the Art Quilts in the Plein Air display.  I doubt there will be any others.  But maybe next year!

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A friend asked me to teach a Plein Air Painting class over two years ago, and I agreed.  It got postponed several times, during which time my painting skills got rusty. Luckily I had enlisted the help of another artist to co-teach with me. The class finally took place last Sunday, and it turned out to be a good experience. Our students were wonderful, and Gail and I got along so well that it was a very fulfilling experience.

I have tended to view my change of media from painting to fiber art as a sort of disruption. But as I work my way toward my most natural subject matter, the industrial neighborhood in which I live, I now think the two are related. Looking at the world through an artist’s eyes makes it a very interesting place indeed.

Who knows, maybe I’ll even take up a paint brush from time to time again.