Posts Tagged ‘Rural landscape’

I decided to put my current show on line.  It is at Awesome Dawgs, what happens when a dog trainer marries an art gallery owner.  An art gallery with a dog training problem, or a dog training facility with an art problem.

Either way, the venue is friendly to art-loving humans and their four legged friends.

Silent Stacks, Fiery Sky, Art Quilt, 25 x 25″ framed. A quiet night in Bethlehem, PA. The preserved steel stacks are dark, but the sunset is brilliant. It struck me that this was the opposite of the past, when the stacks spewed smoke and fire, and the sky was obstructed.

Silent Stacks-fiery sky 23 x 23 small

Steel Mills at Night, Art Quilt, 17 x 22″ framed. An interpretation of Raymond Simboli’s watercolor from 1952, “Steel Mill.” $580

steel mills at night smaller

‘Round the Bend, Art Quilt, 16 x 20″ framed. An interpretation of Everett Longley Warner, Monongahela River, c. 1941. $375

round the bend 16 x 20 after Everett Longley Warner, Monongahela River c 1941

Walking Sketches, Art Quilt, 22 x 22″ framed. As I walked through the streets of the old industrial neighborhood where we lived in Pittsburgh, I got a feeling for the colors, shapes and textures around me. This piece reflects that. It includes some of my “best” found objects, and most interesting altered fabrics. $450

walking sketches 20 x 20

At the River’s Edge, Art Quilt, 21 x 28″ framed. A visit to the old dye works in Shoemakersville, PA, inspired this view of the old factory and the Schuylkill River. The construction method is raw edge applique, with free motion machine quilting. $500

At the Rivers Edge smaller

Stone House in the Valley, Art Quilt, 24 x 31″ framed. I always notice this spot when we visit our cousins in Albany Township, PA. I carried it out in monochrome colors except for the tree. Raw edge applique and machine quilting. $600

stone house in the valley 22 x 29

South Carolina Dawn, Art Quilt, 18 x 23″ framed. Visiting Palm Island South Carolina we arose at dawn for a walk or ride on the beach. This is what I saw. $360

south carolina dawn smaller

Hassler’s Run, Art Quilt, 12 x 15″ framed. Winter landscape, Hassler Run, Tilden Twp. $145

hasslers run smaller

Rusty Musty Fusty, Art Quilt, 24 x 18″ framed. Yo! I like ’em rusty and musty/ Old city factories all scruffy/ And in the country so crusty/ They were cars or trains, all them parts so fusty/ Lying around — almost art — a little fuzzy/ The sun makes you just/ Lovely though scruffy/ That’s OK I’m not fussy/ I’ll take you thusly/ Beauty all rusty. $500

Rusty Musty Fusty small

About the House on the Hill, Art Quilt, 17 x 19″ framed. I started with the image of my neighbor’s house up the hill from us, and made a fantasy landscape from that. $320

about the house on the hill 16.5 x 18 smaller

Awesome Dawgs is located at 3052 Pricetown Rd, Temple, PA.  Their phone number is 610.944.7630. The show will be up through the end of the year. They are able to handle purchases if a check is made out to me.  Otherwise, I can take care of credit card purchases.  Just in case anyone is interested!

Cheers.

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My quilters guild, Quiltessence Quilters, presented me with quite a challenge last week.

Mary, conducting the program, instructed us to each bring one yard of ugly fabric from our stash to the meeting.

We then sat around the tables in a big circle, with our ugly fabric and a pair of scissors. She said: cut the first piece, kept half, and pass half, to the music. We repeated until we had varying sizes of ugly fabrics, down to a scrap about 2 x 3”.  I won’t try to describe Mary dancing to the music, or our general amusement at how many ways we could mess up these simple directions!

At the end I stared down at my pile of ugly fabric scraps.  I took them home.

They haunted me. What on earth could I do with them? There was no purple or much orange! I can hardly make a piece without them. It was OK to add other fabrics for the challenge, but we had to use something of ALL of the scrappy pieces.

I had in mind a scene looking north from our home, which I’d done several versions of.

The light green and darker green weren’t a problem.  The light tan one worked quite well actually, as well as the darker tan. I used the trees and a few yellow parts from the corny rural scene. For the “Chinese” print I used the reverse side in the sky. The geometric earth toned piece worked OK in parts of the foreground. The yellow piece with the DNA or chains (I’m not sure what they are) worked OK for the tops of the corn stalks.

The biggest problems were the “Patriots” red piece, and a blue flowered one. I ended up using the Patriots red for flowers that should have been a more muted purplish red, and the blue flowers in the background purple mountains.

Here is the final product I came up with, along with my reference photo, and a picture of the ugly scraps. I added found objects, including pieces from an 1890 atlas I am coming to depend upon, and bits of lottery tickets, which seem to be becoming my signature.

Lottery tickets carry so much emotion. People get all excited about winning.  Then they get equally disappointed, and just toss the tickets away, wasting all that color! I like to retrieve them and make use of the color and textures.

Once the quilt was done, it felt very good to toss the remainder of those ugly scraps away!

Like a used lottery ticket to someone else I guess.

September 14 x 15.5

Martha Ressler, September, Studio Art Quilt, 14 x 15.5 inches. Fabrics, papers and found objects.

Looking North from our house.

Reference photo for “September.” I did a sketch too, but it was a simple line drawing, and did not reproduce well. I have to do both — some kind of a sketch to remind myself what I saw, and a photo to remind me of the colors.

ugly fabric challenge

The pile of ugly scraps I was left with after the musical chairs scrappy game. Notice some are very small: the dark tan and yellow piece with the chains (?) on it. Those I got near the end. I could have actually used more of each. Down with that Patriots fabric!